Results for “leiber”

1987

1987 was the transformative year for the label as we started to take on the rest of the Fantasy catalogue: Stax and the Creedence Clearwater Revival albums; then, in 1988, Prestige, Riverside, Milestone and all the other jazz Fantasy had tucked away. Pablo was added in 1989 and this all culminated in all the jazz labels being housed under the OJC umbrella in 1992. More of this later, but it had a big impact on what we were doing and even in the new Harlesden premises we were rapidly running out of space so we bought two adjoining buildings to expand the warehouse.

We also started two new labels to accommodate very different styles of music.

Initially BGP stood for Baz [Fe Jazz], Gilles [Peterson] Productions. The label was aimed at a different dance floor from the one that the Northern soul of Kent records was being played on. Named Rare Groove back then, though it went through a number of name changes, including Wah Wah Jazz. The first BGP release was a Mongo Santamaria compilation, the ideal Latin/jazz mix for the times. Right through its life the vast majority of BGP releases were drawn from the Fantasy jazz labels..

BLUE HORIZON was producer Mike Vernon’s label. It started in 1965 with a Hubert Sumlin outing and eventually mixed US-licensed material with recordings by Fleetwood Mac, Chicken Shack, Duster Bennett as well as US bluesmen like Otis Span and Eddie Boyd.

The early recordings ended up in the maw of CBS Records but Mike retained the label name. So, together, we resurrected it and as expected he brought us impeccably produced recordings by Blues And Trouble and Louisiana’s Lazy Lester and over the next nine years a series of mainly local blues and R&B artists. Mike also features in the Ace story as producer and later member of Rocky Sharpe and the Replays. A real gent to do business with.

We gradually eased into the deal with Fantasy, initially taking in the Stax catalogue and then Creedence Clearwater Revival. Our contact was their overseas licensing person, the highly knowledgeable Bill Belmont. He brought the labels to us piecemeal. At the start we weren’t sure we could handle such huge catalogues, so easing into them was actually a blessing. 

2003

By now we had accumulated a vast catalogue of Stax releases and thoroughly mined the vaults for rare and unissued sides. It was fitting then that there would be a works outing to join in the celebrations for the reopening of the reconstructed original McLemore Avenue building as a museum. Alec, Dean, Tony and Roger experienced a remarkable week of music and events as Stax’s indomitable Deanie Parker put on a series of shows. The culmination was an extravaganza at the grand Orpheum Theater, with performances by Stax artists Isaac Hayes, Booker T & The MGs, Mavis Staples, William Bell, Carla Thomas, Eddie Floyd, the Bar-Kays, Little Milton, Jean Knight, the Soul Children and Mack Rice - though, by common consensus, the show was stolen by Rance Allen. Others paying tribute to the label were Al Green and Solomon Burke. There were other shows featuring the Mad Lads, Big Star and a highly emotional Linda Lyndell.

Leola Jiles, the soulful lead heard on the Northern Soul classics ‘Mr Creator’ and ‘Pretty Red Balloons,’ and one of the most distinctive voices in San Francisco R&B, gospel and jazz, died from complications from a stroke last Thursday. Her friend Alec Palao mourns her passing.

In the mid-90s when I wandered into Vinyl Experience a second-hand collectors’ shop on Hanway Street in London’s West End, for the first time in a few weeks and while I was checking out the various specialist collectors boxes that they kept behind the counter, I noticed about 50 sealed cardboard boxes under the LP racks. On asking the shop owner what they were he said, “Oh that’s the remnants of the Carlin collection we got a few months ago”. “What’s that all about then?” I ventured. It turned out that this famous music publishing company had decided to throw out all its old demos and samples as surplus to requirements. Mark Hayward, the shop’s owner, had snapped up the massive collection which included demos and acetates from every major popular music act of the 50s, 60s and 70s, including Elvis, The Beatles, The Rolling Stones, David Bowie etc. etc. etc.

It was with dismay that we at Ace learned yesterday of Young Jessie’s passing. A superb singer and songwriter in the 1950’s R&B vein, he was also a highly accomplished pianist who made a living as a solo jazz pianist/vocalist, as well as with his own bands, the Obie Jessie Combo and the Obie Jessie Trio, playing club dates from the 1960s until recently.