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Dave Godin's Magic Moments
27th November 2014
They say that character is destiny, so, make of it what you will, but I don't seem to have had 'adventures' in the field of black American music, so much as 'magic moments'. I remember my first-ever encounter with a recording artist was when I was still an early teen, and I also remember it to this day since it also taught me a lesson in life. When it was first issued, I had gone potty on Dee Dee Sharp's Mashed Potato Time, and, when she came to do a short promotional tour, to the mockery of my mates, I decided to miss the first part of the show and wait at the back entrance of the theatre to catch a glimpse of her in person. Eventually my patience paid off, and she arrived (with her mother, as it turned out), and I shyly introduced myself. She couldn't have been sweeter, warmer or friendlier, and before we parted, she bent over and gave me a big kiss on the cheek! I blushed to my very bones!
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Ace Records History Part 5
11th January 2016
1998
The “Miami Rockabilly” CD finally appeared from the glades, with its tale of a ‘Knocked Out Joint On Mars’ from Buck Trail and Curley Jim with ‘The Rock’n’Roll Itch’ — boy, is he anxious to tell us all about it. Screamin’ rockabilly from the bastard offspring of the Memphis Flash. Well worth the wait. Later in the year, Benny Joy “Crashed The Rockabilly Party” with very distinct versions of the album’s title track and dance hall perennial ‘Spin The Bottle’. The records were originally on Antler, a label owned by Platters manager Buck Ram.
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Ady Croasdell - GWP Records
15th April 2020
I had visited Jerry Purcell in the 80s when he had an office in Manhattan and, while asking him about Debbie Taylor and the Persians, of which he had very little knowledge, could not stop my eyes wandering over to some old metal filing cabinets, intrigued by what might be hidden inside. The conversation did not get as far as “Can I just delve through your files for half an hour?” so they remained untouched by British hands. Twenty years on, I was contacted at Ace by Mr Purcell’s office who indicated that they were ready to make a deal to license their masters to Europe; the previous meeting had held us in good stead. A trip to New York was duly arranged but by then GWP was virtually dormant. Most of the publishing had lapsed and Jerry had relocated his office to his home in Bayside. There I met Ed Bland, a charming musician and arranger who had done the early work for the GWP label who, as Jerry’s right hand man, had been entrusted to organise the deal. After surveying the fascinating looking tape cache I caught site of one old filing cabinet and asked Ed what was in there. “Oh just old music sheets, record samples and contracts”, “Could I look?”, “Sure”. I pulled open a drawer and found that the container was a treasure trove of records and acetates. The company had filed their samples fastidiously and in between the cardboard dividers could be found four demos and two issues of September Jones’ 45, five issues of the Dynamics’ ‘I Need Your Love’, a Kenny Carter single in a German pic cover, Willie Kendrick’s ‘Change Your Ways’ plus many more vinyl singles: but oh, the acetates.
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Ace Records History Part 8
8th January 2016
2009
As time goes by, so more friends die. This year saw the deaths of two people very close to Ace - not just on a professional level but even more on a personal one.
Ray Topping died in January, after a long and cruel illness. His emotional connection to vernacular American music could spill over and make him difficult, but his engagement could never be denied. Rarely has anyone pursued a passion with such singularity. That passion was indelibly stamped on Ace Records, running through the company like lettering through a stick of rock. It was Ray who introduced us to the vast wealth of the Modern catalogue and compiled it in depth across LP and CD, a body of work that is his enduring legacy. But he also worked on Starday, Ace US, Combo, Specialty, Duke / Peacock. He put together two fabulous albums of “Jump Blues” from US Decca, one of Old Town blues sides, an Atlantic set that rocked from top to bottom and so, so many others. He had a keen ear for music, matching enthusiasm and boundless interest in his subject to which he brought a great intelligence. Bless him.
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CALLING ALL LONDON-AMERICAN COLLECTORS!
15th August 2012
..STOP PRESS, THESE TWO HAVE NOW BEEN LOCATED...