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Martin Carr was born in Britain's northernmost town in 1968. After fighting in the Great Indie Wars 1986-89, he made records with his band, the Boo Radleys; some great, some not so great. Exiled in Wales Street since 2001, he continues to write songs, shout at children and stare into space.

Ace's policy is we do not employ interns. As a small company everyone has their own responsibilities and we simply don't have the time or resources to train and supervise anyone employed on a short-term basis. We believe an intern's time and effort would not be rewarded with proper training and experience and we do not wish to exploit people.

MP3 is the most compatible digital music format. Any media player on your computer or any portable device should be capable of playing the file.

Not at the moment. Job opportunities at Ace occur very seldom. If we do have to fill a role, we would post the details on this website and advertise in the London press.

Sheila B. has spent most of her life in the dusty old record shops of New York, London, Paris and Tokyo in an attempt to own every 60s girl-pop 45 in existence. She has worked as an artist manager, editor at progressive girl culture magazine BUST, head of A&R for UK production house Xenomania, columnist for MTV Japan, DJ and music supervisor. She has produced and written the liner notes for several compilations including Rhino Records’ Grammy-nominated “One Kiss Can Lead to Another: Girl Group Sounds Lost & Found” box set and Big Beat’s “Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966-1970”.

At age 15, she founded her first fanzine, Plume, as an attempt to escape suburban hell and share her enthusiasm for My Bloody Valentine, Bikini Kill and the Blake Babies. Plume was selected as “fanzine of the month” in popular alternative teen-girl mag Sassy, which resulted in a larger-than-expected readership and sacks of fan-mail. Three years later, she moved to London to pursue a career in the music biz, but instead found herself hanging out with a crew of British record collectors, learning the crucial difference between a VG+ and M- vinyl record. Upon returning to NYC in 1998, she started her subsequent fanzine Cha Cha Charming, as a way to reconcile her love for record collecting, 60s girl singers, heavy metal + Japanese chart pop. After three print issues, Cha Cha Charming found its home online as the go-to site for girl-powered pop – from the past, present and future, and from all over the globe.

www.chachacharming.com