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Songwriters
30th September 2012
Welcome to the other Great American Songbook.
Music publisher Max Dreyfus, the head of Chappell Music and dean of New York City’s allegorical Tin Pan Alley, once said, “Always take care of your writers. Without them you are nothing.” Dreyfus knew a good songwriter when he heard one – Richard Rodgers, George Gershwin and Cole Porter, to name but three – and we like to think we do too, although we specialise in a more recent era. It takes nothing away from the towering achievements of Rodgers, Gershwin and Porter to acknowledge that the 1950s and 60s produced their own fair share of brilliant songwriters.
Each CD in Ace’s Songwriter series offers an overview of a very specific artistic vision and personality, from the tongue-in-cheek playfulness of Leiber & Stoller to the soul stylings of Van McCoy and the earthy street-grounded rockers of Ernie Maresca. Randy Newman and Burt Bacharach are widely considered the embodiment of the word songwriter, but Neil Diamond and Jackie DeShannon are so firmly embedded in the public consciousness as star performers that many may be momentarily surprised to encounter them as the prolific tunesmiths they actually were. Great songs are all you would expect from a Bacharach set, but perhaps you’ve never stopped to think just how many great songs Bo Diddley wrote. Luckily, Ace have, and now you can enjoy hearing the proof.
The halcyon days of the Brill Building era are represented by the great writing teams of Leiber & Stoller, Pomus & Shuman, Goffin & King, Mann & Weil, Sedaka & Greenfield and Greenwich & Barry, who so dominated the Hot 100 during that golden age (although not all of them actually operated out of the Brill).
Those writers in turn influenced those who came along in their wake. The Sloan & Barri and Boyce & Hart teams added a folk-rock slant to the mix. Chip Taylor delved into a more country-flavoured sound. Nick Ashford, Valerie Simpson & Joshie Armstead borrowed from the church for their soul epics. All of them made tremendous contributions and more than earned the honour of being anthologised in the usual Ace fashion, with accompanying action-packed booklets filled with interviews, essays, rare photos and vintage clippings.
You’ll find big hits, fabulous near-misses, obscure LP cuts, interesting interpretations of hits and rarities, sung by a dazzling array of star performers, living legends, notorious characters, cult favourites and talented also-rans. The real stars here, though, are the songwriters. And, of course, their great songs.
It’s tempting to say that had these writers been the only ones working in the second half of the 20th century, the 50s and 60s would still be considered rock’s golden age. But one thing is certain: it wouldn’t have been a golden age without them.
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WHY DIDN’T YOU INCLUDE THAT TRACK?
12th September 2012
A compiler’s answer to the most frequently asked question among Ace collectors…
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Movies, Producers and Songwriters
Movie soundtracks and book tie-ins also began to play a definitive part in the Ace release schedule, starting in 2004 with the Pogues and Joe Strummer featuring on the original soundtrack of Alex Cox’s “Straight to Hell Returns”. Then in 2010 came a double CD to accompany Alan Govenar’s magisterial biography of Lightnin’ Hopkins. As Roger Armstrong suggested: “Read the book, enjoy the record.” Another book tie-in came with “A Rocket In My Pocket: The Soundtrack To The Hipster's Guide To Rockabilly” which accompanied the book by the same name by Max Décharné. Chock-full of classics such as ‘The Train Kept A-Rollin'’ by Johnny Burnette & his Rock'n'Roll Trio and the title track by Jimmy Lloyd, it was a pure delight.
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Motown, France, Japan, Louisiana
Then, in September 2008, came another awesome box set, the three-CD, 75-track “Take Me To The River: A Southern Soul Story 1961-1977”, which as Tony Rounce and Martin Goggin explained, set out the story of Southern Soul “in an approximately chronological manner, from its early rumblings at the beginning of the 1960s, through its first golden era in the mid-60s and its second in the early 70s, and on to the valiant attempts to forestall its demise in the mid-to-late 70s” and featuring everything from “million-sellers to obscure 45s that didn’t get beyond the limits of the cities in which they were recorded”. Soul heaven indeed.
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Ace is 40!
25th June 2015
It was 40 years ago this September, give or take, that the team behind Ace Records first made a record. We have been going in and out of style ever since and hopefully over the years have contributed in some measure to the business of human happiness.