Eddie Parker cut his northern soul anthems ‘I’m Gone’ and ‘Love You Baby’ inDetroitin the late 60s, showing there was life after Pied Piper for Jack Ashford and Lorraine Chandler. Intense energy, grit and soul are the hallmarks of these seminal sides.
Delivery & ReturnsShow
We offer free P&P to UK addresses. For all other territories packaging is free and postage is charged on a weight basis.
We use Royal Mail First Class for UK deliveries and standard Air Mail for all other territories, very large orders will usually be sent via parcelforce. You may cancel your order at any time prior to your order being dispatched by emailing us at email@example.com ensuring that you quote your name, address and order reference number or by telephoning +44 (0) 208 453 1311 between 9am and 5pm GMT/BST, Monday to Friday. Please note: As music downloads are dispatched immediately after purchase, there is no possibility of cancelling these orders.
In the event that any products supplied to you by us are damaged or defective, we agree to replace or repair the damaged or defective products or refund the amount you paid for such goods (including postage & packaging) providing you notify us (either via post at or e-mail: firstname.lastname@example.org ) and return the goods within 28 days of purchase. Physical goods should be sent back to us in the same condition you received them to: “Returns” Bus Stop Mail Order Ltd, 42-50 Steele Road, London, NW10 7AS. Music downloads should be returned to us via the e-mail address above including a copy of your notification.
You have the right to cancel your order within seven days of purchase, or seven days of receipt of the goods (whichever is the longer). If you choose to cancel your order, full payment will be returned to you. Returned items should be sent to: “Returns” c/o Bus Stop Mail Order Ltd, 42-50 Steele Road, London, NW10 7AS. Music downloads should be returned to us via the email address: email@example.com including a copy of your notice of cancellation and order number.
"This 45 couples those two Jack Ashford-arranged sides which made his reputation. He fairly hurls himself at the frantic stomper Love You Baby, his hoarsely attacking tones just rising above the zestful band and the chirping chorus. The B side, while sounding less as if it has a train to catch, still pounds along purposefully: it’s a richly soulful concoction with Eddie on wailingly good form."
Blues and Rhythm